JUNE '26

The pieces everything else leans on.

An interplay of tone and texture, grounded in wearable layers and considered detail.

Made to move easily through your wardrobe and return to, again and again.

GILDED:

A defined waist, balanced by structure through the shoulder.

Finished in a gilded texture that catches the light subtly… never too polished, never too obvious.

The Dalton fit remains the same. Sharp. Familiar. Collected.

Only now, reframed through something richer and more dimensional.

Applied to clean, considered silhouettes, the print takes focus without overpowering… bold, but still easy to wear.

ANAIS:

Paisley florals pulled from vintage European summer scarves… then softened through hand-watercoloured motifs and washed-out pastels.

The bright yellow base cuts through the softness, creating contrast that feels instinctive rather than overworked. Printed on sheer crepe, it moves lightly and layers easily.

High summer, but louder. A print designed to sit against texture, colour and contradiction without ever fading into the background.

OLIVE:

Olive woven throughout the collection in a way that feels grounding rather than obvious… earthy, muted, effortless to wear.

The tone moves easily against winter neutrals while balancing the brighter bursts of colour and print across the range. Utility-inspired, but softened through fluid silhouettes and femme detailing.

Familiar. Understated. Like something already lived in.

HIGH FREQUENCY:

A classic check, pushed somewhere less expected…

Three colourways, each shifting the mood entirely. Bright yellow against muted grey feels fresh and light, while burnt red with stone grey leans richer, more autumnal. Sky blue and stone strip it back into something quieter.

Printed on soft crepe designed for layering, mixing, clashing. The motif itself is simple, but the colour combinations do the work. Familiar from afar. Maximalist once you look closer.

BROWN LEOPARD:

Leopard, stripped back into something darker… richer brown tones layered with softened tonal motifs.

The hand-painted print remains intentionally imperfect, with blurred edges and fluid movement running throughout. Digitally rearranged to create a seamless repeat that still feels organic.

Less overt. More refined.

A maximalist print reworked for winter layering and darker palettes.